The original statue

After another attempt to steal Manneken-Pis in 1965, the statue was given to the municipal museum, with a copy put in place of the original at the fountain. It is
this copy that is on display today.

Jérôme Duquesnoy’s Manneken-Pis
In 1619, the Brussels Authorities decided to remodel the Manneken-Pis fountain, replacing the column, pool and statue. They placed an order for a new bronze Manneken-Pis with a renowned sculptor of the era, Jérôme Duquesnoy. The artist sculpted a baroque interpretation of the theme of the urinating child, which
has roots in ancient Greco-Roman art, where it was common to see Cupid, the god of love personified as a naked boy, depicted as a urinating boy. From the 15th to the 18th century, the urinating Putto (“small boy”) came into fashion in the arts, and was commonly used as a subject for public and private fountains in Europe.

The legends of Manneken-Pis
In 1824, French author Jacques Collin de Plancy wrote the Story of Manneken-Pis Told by Himself, in which he tells of important moments in the history of Brussels. In it, he was also the first to transmit four legends explaining the origin of the theme of the famous statue. The book met with great success, and while rather whimsical, became the basis for a number of books devoted to the statue. Afterward, several writers, such as Victor Devogel, would reinterpret, adapt and supplement the
collection of amazing stories about Manneken-Pis. These stories all depict him as a little boy whose adventures earned him the right to a sculpture in his image.

Many-faceted enthusiasm
Manneken-Pis has long been particularly cherished by Brussels residents. Considered as one of their own, he has always been associated with celebrations in the city, during which he wears a costume. Brussels residents see themselves reflected in the little tyke, making him a symbol of their personality, which they want to be seen as mischievous and irreverent. As such, it comes as no surprise that Manneken-Pis is sometimes the standard-bearer for eccentric humour or the spokesperson for the mood of Brussels residents. It has been copied, imitated, reproduced and reinterpreted. Beginning in the 1950s and 1960s, which saw the birth of the consumer society and mass tourism, products bearing the statue’s likeness proliferated. More recently, artists have appropriated this symbol for themselves, imbuing it with personal interpretations.

Over 1000 costumes
Manneken-Pis has been the beloved child of Brussels residents since the 17th century. The practice of dressing him up on special occasions had already taken root back in that era. This strange tradition has continued throughout the centuries, and has even become more prevalent since the 1980s. Although dressing up
religious statues – particularly the Virgin Mary and baby Jesus – is an established practice, Manneken-Pis is the only known example in the world of a non-religious statue with a real wardrobe.
The GardeRobe MannekenPis offers visitors a perfect opportunity to discover this surprising collection and its astounding history.

Isabelle de Borchgrave
For the renovation of the Manneken-Pis room, Brussels artist Isabelle de Borchgrave agreed to create a paper replica of the clothes offered by Louis XV in 1747, the
oldest example of the statue’s clothing that has been preserved. From her favourite artistic material, she has created a disturbingly realistic costume.